I think there IS different expectation by customers deciding to go to a pro haunt vs. a charity haunt.
Competative pro haunts are spending $100,000 to $250,000 per year on upgrading, getting on Good morning America claiming a technical arms race of animatronic props. Charity haunts have actors fighting over three year old latex masks that I'm not real sure if anyone ever washed them or not.
One industry observer is wandering around saying that charities are history and these high dollar attractions are what the industry is today. Of course his attraftion is exactly like mine so he might be jealous.
You don't get 80 moving displays in a $10 charity haunt that starts out with little or no budget. You get a stuffed cat that comes at you on a string. Even the really big charity haunts will rely on 75 volunteer actors and no animatronics. A pro haunt is making the decision of whether the props are cheaper than the labor or more effective. If the labor is realatively free all the money goes to the charity rather than an animatronic company.
Competative pro haunts are spending $100,000 to $250,000 per year on upgrading, getting on Good morning America claiming a technical arms race of animatronic props. Charity haunts have actors fighting over three year old latex masks that I'm not real sure if anyone ever washed them or not.
One industry observer is wandering around saying that charities are history and these high dollar attractions are what the industry is today. Of course his attraftion is exactly like mine so he might be jealous.
You don't get 80 moving displays in a $10 charity haunt that starts out with little or no budget. You get a stuffed cat that comes at you on a string. Even the really big charity haunts will rely on 75 volunteer actors and no animatronics. A pro haunt is making the decision of whether the props are cheaper than the labor or more effective. If the labor is realatively free all the money goes to the charity rather than an animatronic company.
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